- 表題
- Patterns of Intention On the Historical Explanation of Pictures
- 著者
- Michael Baxandall
- 出版
- Yale University Press
- 版
- 1985年 1刷
- ID
- 200506007
- 程度
5
新同品または未開封品です
4
古書の場合経年相対良好な状態、近刊書の場合非常に良い状態です
3
経年並または軽い人為的劣化が見られます
2
経年劣化または人為的劣化が顕著です
- 表記
- 計２ぺーじに鉛筆マーク書き込み有,その他良好
- 在庫切れ
Table of contents
- INTRODUCTION: LANGUAGE AND EXPLANATION
- The objects of explanation: pictures considered under descriptions
- Descriptions of pictures as representations of thought about having seen pictures
- Three kinds of descriptive word
- The ostensivity of critical description
- Summary
- THE HISTORICAL OBJECT: BENJAMIN BAKER'S FORTH BRIDGE
- The idiographic stance
- The Forth Bridge - a narrative
- Putting questions: why at all and why thus?
- Sorting the causes of form
- The triangle of re-enactment: a descriptive construct
- Summary
- The peculiarity of the pictorial object
- INTENTIONAL VISUAL INTEREST: PICASSO'S PORTRAIT OF KAHNWEILER
- Intention
- The pictorial Charge and the painter's Brief
- Who set Picasso's Brief?
- The cultural painter: troc
- Picasso's market: structural cues and choice
- Excursus against influence
- Angles on process: positing the intentional flux
- Kahnweiler, Picasso and problems
- Summary
- PICTURES AND IDEAS: CHARDIN'S A LADY TAKING TEA
- Painters and thought
- Vulgar Lockeanism and vision
- A Lady Taking Tea: distinctness and brightness
- Distinctness of vision: accommodation and acuity
- Chardin and past art
- Middle-men: La Hire, Le Clerc, Camper
- Substance, sensation and perception
- A pictorial corollary approximated
- A Lady Taking Tea: Lockean viewing
- TRUTH AND OTHER CULTURES: PIERO DELLA FRANCESCA'S BAPTISM OF CHRIST
- Cultural difference
- Knowledge of other cultures: participant's understanding and observer's understanding
- Commensurazione - an old word
- Three functions of old words: necessity, strangeness and superostensivity
- Truth and validation: external decorum, internal decorum and positive parsimony
- Three iconographies
- Plain reading of the picture
- The authority of the pictorial order
- Criticism and questionability
- TEXTS AND REFERENCES
- INDEX OF SUBJECTS
- PLATES
マイケル・バクサンドールによる図像認知について、技師ベンジャミン・ベイカーによる鉄橋、ピカソによるカーンワイラーの肖像画、ジャン・シメオン・シャルダン、ピエロ・デラ・フランチェスカの作品を例に取り上げたもの。