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Patterns of Intention On the Historical Explanation of Pictures

Patterns of Intention On the Historical Explanation of Pictures

Michael Baxandall - 著者

Yale University Press - 発行

1985年 1刷 - 版

マイケル・バクサンドールによる図像認知について、技師ベンジャミン・ベイカーによる鉄橋、ピカソによるカーンワイラーの肖像画、ジャン・シメオン・シャルダン、ピエロ・デラ・フランチェスカの作品を例に取り上げたもの。

サイズ(ヨコ mm)153
重量(g)400
仕様147ページ本編+62図版
状態2
状態表記計２ぺーじに鉛筆マーク書き込み有,その他良好
商品ID200506007

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Table of Contents

Patterns of Intention On the Historical Explanation of Pictures

  • INTRODUCTION: LANGUAGE AND EXPLANATION
    1. The objects of explanation: pictures considered under descriptions
    2. Descriptions of pictures as representations of thought about having seen pictures
    3. Three kinds of descriptive word
    4. The ostensivity of critical description
    5. Summary
  1. THE HISTORICAL OBJECT: BENJAMIN BAKER'S FORTH BRIDGE
    1. The idiographic stance
    2. The Forth Bridge - a narrative
    3. Putting questions: why at all and why thus?
    4. Sorting the causes of form
    5. The triangle of re-enactment: a descriptive construct
    6. Summary
    7. The peculiarity of the pictorial object
  2. INTENTIONAL VISUAL INTEREST: PICASSO'S PORTRAIT OF KAHNWEILER
    1. Intention
    2. The pictorial Charge and the painter's Brief
    3. Who set Picasso's Brief?
    4. The cultural painter: troc
    5. Picasso's market: structural cues and choice
    6. Excursus against influence
    7. Angles on process: positing the intentional flux
    8. Kahnweiler, Picasso and problems
    9. Summary
  3. PICTURES AND IDEAS: CHARDIN'S A LADY TAKING TEA
    1. Painters and thought
    2. Vulgar Lockeanism and vision
    3. A Lady Taking Tea: distinctness and brightness
    4. Distinctness of vision: accommodation and acuity
    5. Chardin and past art
    6. Middle-men: La Hire, Le Clerc, Camper
    7. Substance, sensation and perception
    8. A pictorial corollary approximated
    9. A Lady Taking Tea: Lockean viewing
  4. TRUTH AND OTHER CULTURES: PIERO DELLA FRANCESCA'S BAPTISM OF CHRIST
    1. Cultural difference
    2. Knowledge of other cultures: participant's understanding and observer's understanding
    3. Commensurazione - an old word
    4. Three functions of old words: necessity, strangeness and superostensivity
    5. Truth and validation: external decorum, internal decorum and positive parsimony
    6. Three iconographies
    7. Plain reading of the picture
    8. The authority of the pictorial order
    9. Criticism and questionability
  • TEXTS AND REFERENCES
  • INDEX OF SUBJECTS
  • PLATES
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